lolliandomi

Krishna stands with his flute raised to his lips and a peacock feather at his crown, rendered as a solid black silhouette with every fold of the dhoti and each piece of jewellery cut out in fine white line. Working only in black on pale grey keeps it graphic and modern while the subject stays traditional. Suits pooja room windows, entryway glazing and prayer corners in contemporary homes.

Lakshmi is drawn as a solid red silhouette seated on an open lotus with her hands raised in blessing, her jewellery cut out in fine negative line so the ground shows through. The warm taupe background and slim patterned border keep the panel restrained despite the strength of the red. Made for pooja room windows, entryway glazing and prayer corners.

Buddha sits with eyes lowered, drawn in confident black line so that the figure appears to rise out of the skeletal veins of overlapping bodhi leaves behind. There is no colour anywhere beyond grey and black, which makes it one of the calmest panels in the range and easy to place. Suits meditation corners, bedrooms, clinic waiting areas and office glazing.

Saraswati sits on an open lotus holding her veena, the whole figure drawn in fine gold line without any fill, so the deep red ground shows through everywhere. An ornate gold border runs around all four edges and closes the panel like a framed painting. Well suited to pooja room windows, study and library glazing, and prayer corners.

A rayed Om disc sits at the centre and the mantra Om Namah Shivaya spirals outward from it in white, the letters growing larger as the rings widen toward the edges. The burnt saffron ground is washed and textured like an old painted wall, which keeps the white text glowing against it. Made for pooja room windows, mandir glazing and meditation corners.

Ganesha is drawn in one continuous flowing line of raised gold laid across a large peepal leaf, the trunk and ear reading clearly from a distance. The gold is textured and catches light like beaten metal, while the mauve-brown ground behind keeps everything soft and warm. Made for pooja room windows, entryway glazing and prayer corners at home.

An Om sits embossed in polished silver inside a rayed disc, with temple bells hanging on fine chains above it and standing lamps at the lower corners. The whole design works in silver on soft grey with no second colour, which makes it one of the quieter devotional options in the range. Suits pooja room windows, mandir glazing and meditation corners in modern homes.

A white lotus opens inside a gold medallion at the centre, with petal shapes radiating outward across a warm sand ground and brass temple bells hanging on chains from the top edge. The palette stays entirely in sand, gold and white, so it reads as calm and devotional rather than bright. Made for pooja room windows, mandir glazing and meditation corners at home.

A single large Om sits at the centre in polished gold and silver, catching light along every curve as though it were cast metal rather than printed. Behind it the saffron ground is layered with faded damask and block-printed florals, which keeps the panel warm without competing with the symbol. Suited to pooja room windows, prayer corners and office glazing where a calm devotional focal point is wanted.