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A marigold opens at the centre in orange and gold, ringed by amber beads and a symmetrical green bel that scrolls outward to the edges of the panel. The ground is a pale sage glass with a rippled texture printed into it, which softens the light without flattening the colour. A natural choice for pooja room windows, stairwell glass and entryway panels.

Golden tulips open at the centre of the panel, ringed by plum petals, red glass beads and curling sage stems on a mottled cream ground. A chequered border of blue, red and amber blocks frames the whole thing the way a genuine leadlight window would be edged. Suits stairwell glass, entryway panels and living rooms furnished in a heritage or colonial style.

Two tall leadlight panels sit side by side, each edged in mahogany and filled with mirrored acanthus scrollwork in ochre, olive and soft grey around a central rosette. The middle of each panel stays pale ice blue and almost clear, so light still carries through while the ornament frames it. Designed for door glazing, stairwell windows and formal entryways in traditional homes.

Amber and green scrollwork curls symmetrically around a central quatrefoil of golden petals, all set against rippled aquamarine glass with deep red jewels anchoring the corners. The rippled texture behind the leading is printed into the design, so it reads as genuine old glass rather than flat colour. Best on stairwell windows, front door panels and heritage or colonial-style rooms.

Rectangles of amber, cobalt and warm cream sit inside a deep blue leaded grid, arranged asymmetrically the way prairie and art deco glass was built. There is no motif and no curve anywhere, so it suits buildings where the architecture should stay the feature and the glass simply adds warmth. Works well on stairwell and landing windows, entryway glazing and office partitions.

Circles overlap into a lattice across the whole panel, and every segment holds its own tile motif worked in burnt orange, teal, deep red and cream. No two adjacent shapes repeat, so the eye keeps moving and the density gives excellent privacy on a large pane. Suits living rooms, entryway glazing and cafe partitions built around warm colour, wood and terracotta.

Square tiles repeat across the panel, each holding its own kaleidoscopic medallion built from cobalt, crimson, jade and gold segments separated by heavy black leading. Because the repeat is small and even, it covers a large window without any single element dominating, and the density gives strong privacy. Well suited to stairwells, entryway glazing and restaurant or bar partitions that want full-strength colour.

A single large bloom opens from the centre of the panel, its petals fanning outward through turquoise and cobalt leaded glass with coral buds and cream leaves filling the corners. The design is fully symmetrical and built around one focal point, so it suits a window you want to become the feature of the room. Strong on stairwell and landing glass, pooja and temple glazing, and restaurant partitions.

Circular leadlight medallions repeat across the panel, each one framing a single rose in red, amber or icy blue against fractured panes of turquoise, gold and rust. It is the richest and most saturated film in the range, so it reads as a full cathedral window rather than a light decorative touch. Best on stairwell and landing glass, feature partitions, and restaurant or bar glazing that can carry the intensity.