lolliandomi

A cream wall patterned in soft gold damask carries a carved stone jharokha with dark wooden shutters, while two peacocks rest on a deep maroon floral band along the base. The feathering is drawn in fine cream and taupe scallops rather than flat colour, which gives the design a painted, antique quality. Printed on blackout fabric, it blocks daylight completely and suits heritage-styled living rooms, entrance halls and hospitality interiors.

Diamond tiles set on the diagonal each carry their own mandala or medallion, separated by fine cream grout lines and finished with a worn, distressed texture. The sage, rust and chocolate palette keeps a busy composition grounded, so it adds warmth rather than noise. Printed on blackout fabric, it blocks daylight completely and suits boho-styled living rooms, bedrooms and cafe interiors.

Small grey elephant silhouettes march in an even grid across a deep forest green ground, with no shading or detail beyond the outline. The restraint is the point: from a distance it reads as texture, which makes it easy to live with alongside patterned rugs, artwork or busy shelving. Printed on blackout fabric, it blocks daylight completely and works in bedrooms, studies, nurseries and quiet commercial spaces.

A blue elephant strides forward in full ceremonial dress, a lotus curled in its raised trunk and a turbaned rider seated on a gold howdah, with a fort sketched faintly behind. Heavy black outlines and flat saturated colour give it the confidence of Rajasthani folk painting, finished with deep paisley border bands along the base. Printed on blackout fabric, it blocks daylight completely and suits living rooms, entrance halls and hospitality interiors.

Cream hexagons sit within a deep maroon lattice, scattered with accent tiles in mustard, pale yellow, crimson, teal and sage. Drawn in flat colour with clean edges, the pattern reads as Moroccan tilework and holds its shape at any size, which makes it forgiving on both narrow and wide windows. Printed on blackout fabric, it blocks daylight completely and works well in living rooms, bedrooms and cafe interiors.

Flat-roofed houses stack and overlap across this repeat, broken up by arched doorways, external staircases, striped domes and scattered date palms. The warm terracotta, cream and brown palette keeps the busy composition calm, so it reads as texture from a distance and detail up close. Printed on blackout fabric, it blocks daylight completely and suits neutral-toned living rooms, bedrooms and cafe interiors.

A carved brass haveli door sits within a pale stone arch against a faded damask wall, framed by palm fronds, monstera and pink hibiscus. A peacock and peahen occupy the lower corner, their green and orange eye-spot feathers picking up the foliage around them. Printed on blackout fabric, it blocks daylight completely and works well in living rooms, entrance halls and hospitality interiors that lean heritage.

Brick arches draped in white blossom vine open onto a still turquoise lake, with misty pine-covered mountains fading into the distance and hanging ferns framing the view from above. Coral flowers spill from the arch bases and dense foliage fills the foreground, giving the design layers of depth without heavy colour. Printed on blackout fabric, it blocks daylight completely and suits living rooms, bedrooms and hospitality spaces that need a calm focal point.

Two weathered stone arches frame a still golden lake at sunset, with a lone boatman drifting across the water and carved terracotta urns of roses and lilies set along the steps. The warm sepia wash and heavy architectural perspective give the design real depth, so it works like a window onto a view rather than a flat print. Printed on blackout fabric, it blocks daylight completely and suits living rooms, entrance halls and hospitality interiors.