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A single dahlia head fills the whole panel, every petal drawn as a bundle of fine black strokes that curve and fan out from the centre. With no colour at all it works as pure graphic contrast, and the density of the linework does the screening while the white gaps keep light coming through. Strong in offices, living rooms and accent glazing in monochrome or industrial interiors.

Two tulips photographed as though under x-ray, the pink petals rendered translucent so the inner structure shows through against dark stems and ghost-grey leaves. There is a lot of empty white around them, which keeps the glass feeling open and makes the flowers read as a single quiet composition rather than a pattern. Suits bedrooms, living rooms and studio glazing built around white walls and clean lines.

Five-petalled cherry blossoms scatter across a deep teal-blue ground, each one outlined in white with a pink or lilac heart and fine orange stamens. The dark base makes this one of the few films that reads as rich rather than airy, so it holds its own against wood, brass and darker interiors. Works well in bedrooms, living rooms and cafe glazing where you want the glass to feel like a panel of art.

Globe-headed alliums rise on long green stems, each bloom made up of hundreds of tiny star-shaped florets in deep violet. Behind them the same shapes repeat as pale ghosted shadows on the frosted ground, giving the design depth while keeping the glass bright. A good fit for bedrooms, living rooms and workspaces that want a strong colour accent rather than a plain frosted pane.

A painted rainforest scene where palms, banana fronds and tall trees layer back into a pale misted sky, with clusters of scarlet blooms breaking up the green at the base. The upper half stays open and light, so a tall pane keeps its brightness while the planting does the screening lower down. Suits living rooms, accent glazing and cafe partitions that want depth rather than a flat frosted panel.

White blossom trails across frosted glass on fine green stems, each flower carrying a small yellow centre that picks up the light. Because the palette stays almost entirely white and green, it brightens a window instead of shading it, and the seamless repeat runs cleanly across tall or wide panes. Best in bedrooms, living rooms and workspaces where privacy should not cost you daylight.

Cherry blossom branches reach in from the edges in pink and warm brown, with small songbirds perched among them and two more caught mid-flight across the open centre. The pale frosted ground leaves plenty of empty space, so it feels light rather than busy even on a large window. A gentle choice for bedrooms, living rooms and children's rooms that need daytime privacy.

Lotus flowers, buds and lily pads modelled in low relief across a sandy taupe ground, the whole design worked in sepia and cream with no second colour. The raised, almost carved treatment gives it depth while the monochrome palette keeps it calm and easy to place. Suits living rooms, bedrooms and pooja rooms built around neutrals, wood and stone.

Cream anemone flowers rise on long stems against a wall of faded damask, the grey and warm brown ground worn through in patches like old plaster. The palette is muted enough to read as texture rather than a floral print, so it suits rooms already carrying pattern elsewhere. Well matched to living rooms, bedrooms and cafe glazing that wants an aged, painterly finish.